Home » Film & TV » Watching the Defectives #4

Watching the Defectives #4

Two detectives. Edgy buddies. A detective and a possible witness. Junior/female colleague. The detective and his ex-wife – rebellious teenage son/daughter (led astray by drug dealers from the squat or other bad influences who might become suspects), who may or may not themselves be a witness but might know/be under the influence of, the robber/murderer. The flagging middle-aged detective and the faded nurse/schoolteacher he’s taken a fancy to and is hoping to get at least dinner with if not a tit-job off.

These characters get in the car and drive to the police station. To search a house. To a house where the killer lurks but unsuspected. Where the body is lying on the floor. To the teenager’s home where his mother will express contempt/hatred/residual tired love for the detective. To a very dark place (do they ever switch on the lights?). To the hospital. To the intended’s home. To follow the suspect. To find the deserted country cottage on the beach no-one previously knew about, that was on the location manager’s same list three episodes ago. To the place they’re going to search but don’t have a warrant. To the abandoned factory. To the scene of the crime.

They arrive at their destination and stop the car. Switch off the engine.

And at that point, they start to have a relevant conversation about the murder. The accident. Their lives. Their knowledge of the victim, the murderer, the murderer’s relatives, wives, colleagues and friends, the crime scene, the time of the murder, their significant past, the building, the likelihood of success/being killed, their mission…. Calling for back-up (‘No time! I’m going in! Cover me!’)

And meantime anyone else who might be an important source of information but who wouldn’t tell anyone what the problem was, or who has previously been fingered as a suspect, or whose character the audience has been wilfully lied-to about by the writers, is probably being slaughtered in the cutaways.

The question I have is simply this:

If they didn’t have a plan, hadn’t exchanged important information, didn’t know what was going on, who they were dealing with, called for back-up, counted the shots left in the ammo clip, then what the fuck have they been talking about all the time they’ve been driving in the car?


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